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A rock group from neighboring Thailand is about to hold a concert in Vientiane, the capital of Laos. Whenever celebrities visit the country, Wattay International Airport, the capital’s only airport, is crowded with fans. Today is no exception. Screaming out, they follow the band through the airport. Every such event is filled with excited female fans.
The pop culture in Laos is greatly influenced by that of Thailand. Due to their geographical proximity, the two countries not only have a shared history, but their languages are also similar to each other. It is not an uncommon phenomenon for two neighboring countries. It is somewhat surprising, therefore, that Korean cultural content has successfully entered the competitive Lao pop culture market, and during lunchtime, you can see Lao people watch the Korean TV series “Itaewon Class,” offered by several streaming platforms with Thai subtitles. Laos seems to be unable avoid the globalization of popular culture, which ignores geographical borders.
As about 80 percent of Lao territory is composed of mountainous terrain, moving between regions is somewhat difficult, and as a result, the country’s postal workers, who once traveled across the country, have disappeared. This also hampers the spread of pop culture, rendering Laos one of the few countries where significant local cultural differences remain. Although Lao people also use smartphones nowadays, the country’s pop culture still resists the dominance of commercialism. In Laos, people do not necessarily watch the same movies, listen to the same music, talk about the same topics or wear similar clothes. In that sense, Laos may boast one of the world’s largest intangible cultural heritage, with people in each region free to express their different cultural facets.
The content of this article may differ from the editorial direction of the ASEAN Culture House Monthly.
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