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Khaen Music: An Expression of Lao People’s Joy and Sorrow

ASEAN Heritage
Khaen Music: An Expression of Lao People’s Joy and Sorrow
 

Edited by Korean National Commission for UNESCO



< Fig 1 > Lao high school students dancing to Khaen music
Source: HmongHighSchoolStudentsDance3 / Blue Plover / CC BY 3.0

 

The government of Lao PDR officially recognizes 50 ethnic minorities. Over centuries, they have kept their distinctive cultures alive, and therefore, the country’s music scene and the types of traditional musical instruments are as diverse as its ethnic groups. There is a wide range of different instruments, including the “Taphon,” a barrel-shaped drum with two heads of different sizes that can produce both high and low sounds; the “Kachapi,” a string instrument of the lute family, and the “So i,” a bowed two-string instrument. Traditional Lao music played with the “Khaen,” a piped wind instrument, is so popular that it was designated as a UNESCO Intangible Cultural Heritage. 

 

   

< Fig 2 > Khaen

 

 

   There is an old Lao saying that goes, “Anyone living in a stilted house, eating sticky rice and playing the Khaen is likely to be a Lao person.” This saying illustrates both the Khaen’s prominent role among Lao instruments and its significance for Lao culture. The Khaen is made of long bamboo tubes of variable lengths, similar to pan flutes. Each pipe contains a piece of flat metal with a tongue cut into it. This is the free-reed that vibrates whenever the player blows into or draws air out of the instrument, through an air chamber called “marqunamdtow” while holding the Khaen’s center with both hands, thus producing a continuous sound. Each pipe has a small finger hole near its reed that acts as a valve and prevents the pipe from sounding unless covered by the player. Therefore, the instrument can sound as many pipes as the player can cover, making it a polyphonic instrument able to play songs that require rich melodies and harmonies. Due to its seemingly simple appearance, people who encounter the Khaen for the first time are often surprised by its unexpected tonal range. 

 

   

< Fig 3 > Khaen musicians and dancers performing to Mor lam songs
Source: Lao morlam musiciens / Jean-Pierre Dalbera / CC BY 2.0

   Khaen music has been handed down since the ancestors of today’s Lao people settled in present-day southern China some 3,000 years ago. For many centuries, the Khaen has played a central role in Lao music culture, and Khaen music can be found virtually everywhere in the country, especially as part of orally-transmitted folk songs. It can be said that traditional Lao folk songs resemble Korean folk songs in that their melodies are simple and consistent, rendering them easy to sing along to, but the polyphonic Khaen adds significant depth. The charm of the Khaen’s high notes soothe those who are tired after hard labor, and since Lao people believe in the idea of reincarnation, they send off the souls of their deceased with uplifting rather than somber tunes performed on the Khaen. This expresses their wish that the deceased, having completed their tasks in this life, will be reborn in better conditions. Khaen music is also performed when serving drinks to wedding guests. As musicians perform melodies with the Khaen, guests sing along the lyrics of well-known love songs. 

 

   The sounds of the Khaen thus accompanies Lao people throughout their life, through all of their joys and sorrows, and rather than passively listening, they often dance and sing along once Khaen music is played. One could say that Khaen music reflects Lao people’s positive attitude to life.

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